Wednesday, July 26, 2017

Don't try to understand

Since moving to Seattle, I haven't really done the whole "Seattle music" scene.  What can I say?  I've been busy.  I'm an adult person and a grad student - and going to shows is a pain in the ass in this city.

We've seen the "Sound Garden" and the "Black Hole Sun" and Kurt Cobain's house and childhood home, and we lived about a long block from Layne Staley's place of death, but I haven't really invested in exploring the actual music that Seattle was known for.

Now that I'm (hopefully) a year out from leaving Seattle, it's starting to creep up a bit.  After this year, I'll have lived in Seattle longer than any other place I've ever lived.  That's nuts, right?  Only 6 years?

Jesus, where the hell am I even from?

The internet, clearly.


Anyway, in my thinking about Seattle music, I recalled the 'Home Alive' compilation from the mid-90s.  The compilation (and self-defense organization) came about after the rape and murder of Mia Zapata, singer of the (awesome) band the Gits.

After rediscovering this comp, I listened to this song and was instantly taken back to 1995.  I was 14, liked the catchier grunge songs and was on the verge of sinking deeply into a flannel-wrapped depression cocoon, only to emerge as a punk rock butterfly a year later.  I listened to a lot of music like this - we all remember Soul Asylum, right?

Although I'd remembered this song really well, I'd never listened to more from the band.  But now that I'm predicting future nostalgic feelings about Seattle, I need a soundtrack for them.  What better way than by digging back into the kind of sounds that I loved when I was 14?  Come to find out that this band was pretty solid.  I mean, I get why they're not famous, but it certainly sounds like a bunch of mid-90s indie film soundtracks.



It's so solidly early 90s, capturing everything great about that era.  I love it.

Wednesday, July 19, 2017


Goodnight, kiddo.




Tuesday, June 20, 2017

What up?

I haven't posted in nearly 5 months.  Bigger things?

Rundown:
 - Politics has consumed my life.  Morning, noon, and night.
 - Moving is awful and I have a very angry story to tell about a shitty Seattle landlord douchebag motherfucker goddamn.  He took our home from us like some kind of 1950s Jimmy Stewart movie villain.  Who grows up to be that guy?
 - The new At the Drive-In is kinda balls, but also nostalgic.  Conflicted.
 - Jawbreaker is reuniting?  And I'm poor?  Man, rough year here in purgatory.
 - Getting prepared to dissertate for the next year, go on the job market, become some sort of academic elite like the TV keeps warning you about.
 - Working on multiple childhood trauma papers.  Light fare.
 - Might be teaching a poverty class in the fall?  Nice change from teaching research methods.
 - It's June and it's raining.  C'mon Seattle, get with the summer program.
 - Need working music suggestions.  I've run through my catalogue.  Usually prefer subtle, light... Cliff Martinez, Dixie Dirt, Six Parts Seven, or gentle songwriters... Malcolm Middleton, Eric Bachmann, Jason Molina.  I'd say Bon Iver but that new one is an acid trip on mushrooms.

 - I've been kind of obsessed with this John K. Samson song:

Friday, January 27, 2017

Unite

After this trainwreck of a week, thought I'd look back to the march last Saturday.  Multiple times I had to hold back tears, seeing men and women of all ages and backgrounds united in support of one another.  Durkheim had a phrase for this: "collective effervescence."  Yeah, it was almost spiritual - and it represented the best of humanity.  We are our best when we unite to support one another.

While I'll participate in as many of these as possible, please also consider all the marches that we should have, but won't.  Don't forget your many diverse neighbors who may need reassurance.

For now, I'm going to let the powerful feelings of unity from last week continue to propel me forward.  Go out and do good work, people.


March in Seattle, 2017/01/21



*For the record, I went to protest Milo Yiannopolous at UW.  Feelings of unity, not so much.  Someone took a bullet.  Hard to paint a pretty picture about that.




Friday, December 30, 2016

Modern Act




This is one of the few bands in a long time that I've been kind of excited about (or "about which I've been excited...")

You can disregard the video, if you'd like, although it does have that certain 90s low-budget quality that's just great.  Like an old Superchunk music video (that one with David Cross and Janeane Garofalo) or something we'd expect to see made fun of on Beavis and Butthead.

The music, though - these guys are on to something.  I'm excited about them because it's one of the first times in perhaps 10 years where I've been excited about a new band in the "post-hardcore" genre (read: bands that sound like Jawbreaker.)  We lost a bunch of them to that ridiculous fucking "screamo" sound - you know, the one where suburban white guys, drunk on their need for self-actualization, nonsensically scream their minor disappointments.  

For being as young as they are, Cloud Nothings find a way to tap into the nonsensical angst of MY youth.  Since I'm not longer in that "youth" demographic by a decade-plus, it's particularly impressive feat for a bunch of early-20s guys.  There's something energetic and uplifting to their music, which of course is part of the appeal, but there's something deeper and intangible about the way they're able to tap into my nostalgia.  It's not the lyrics, it's not the singer, it's most definitely the guitars.  The whole thing sounds like some vaguely punk beach party.  And all my old dogs are there.



Monday, December 19, 2016

How we have ranged



This fucker.  I was a fan for the 12 years before his death and it hasn't even been 4 years since.  Perhaps in 10 years I'll have made peace with it.  Perhaps by then I'll have seen and heard everything there is to see and hear.  Right now, though, I keep finding little gems like this.

15 years and a week prior to his death, this kid seems almost hopeful.  Almost.

is there any room for death even to try
the movement, were it granted,
is only going to go
you are not, as day follows day
to be forgot
you I have not, forgot
at least, we are touched upon
our last days at this place
this time you will not talk of risk
only of certain consequence
oh, you and Napoleon all of that ambition
you are not, as day follows day
to be forgot
you I have not, forgot

Thursday, December 8, 2016

Was it the end? Was it the boy?

To continue staving off my impending existential crisis (I'm a vegetarian social justice-oriented academic in the Trump/Carl's Jr. white house cabinet era) I've been listening to stuff that brings out the 20 year old in me (ironically, a time when I would have eaten at Carl's Jr.)

Quite often, I allow Google's music app to pick my music for me, based around some song that fits my mood.  More often than not, it picks the perfect songs.  Throw on the Jets to Brazil station, get Jawbreaker, Knapsack, Samiam.  Somehow, it knows just when I want to hear the punkier side of the band more than the folksy/classic rock side.  I wonder how much info on me Google uses to put that together (...as I write on my Google-blog.)

Anyhow, this one came up yesterday and I remembered how much I loved it:
.

Yeah, it's completely ridiculous, but it's also a perfect song.  You can sing to it, it has a great melody, great harmony among all its parts.  It's catchy as fuck and it has guitars.  It has keyboard bleep bloops and some echoey moments.  It rocks hard when cranked up in the car.  Perfect song.

I try not to divest too much of my time to the past, but like most people, I like the emotionality of nostalgia when it relates to music.  Like a lot of music, this song isn't actually tied to some event or some emotional state, but more of a generic time in my life.  I think about listening to this album in my little Nissan, driving home at night from school or some show or some thing, music blaring.  Being 20, 22, 26, and having every song hit me in the guts, typically the impetus for dreaming about the future to escape the present.   I wish I'd been able to spend more of my 20s being happy, so my nostalgia would be more joyous.  If there's anything lost in getting older, it's that little seems "new" anymore, even the melancholy, so I'm happy to rediscover these songs now and again, to remind myself of bitter times.